[12] Preliminary design for an overmantel mirror frame, 1773

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Robert and James Adam office drawings
- Town houses
  - London
    - Charlotte Street, number 9 (later 4 Bloomsbury Street), London: interior decoration and furnishings for George Keate, 1772-78 (22)
      - Preliminary design and alternative designs for an overmantel mirror frame for an unknown room, 1773; it is not known if this design was executed (3)

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Reference number

SM Adam volume 3/37

Purpose

[12] Preliminary design for an overmantel mirror frame, 1773

Aspect

Elevation of a tripartite overmantel mirror frame, articulated by tapering terms, supported by urns with candle branches which are of an alternative design on the right- and left-hand sides of the mirror, and the terms support a stretcher with an apron of crockets and swags on the right hand side, and a fluted stretcher on the left-hand side, and the stretchers are surmounted by shafts composed of calyx, anthemia and urns on the left-hand side, and calyx, anthemia, tubular flowers, and urns on the right-hand side, and between these stretchers there is a fan in the central compartment, and a peltoid shield hung from festoons in the right-hand compartment, and with a fluted top rail, surmounted by an urn on the left-and side, anthemia on the right-hand side, and a central pair of winged griffons flanking an urn on a tripod base

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Mr [ _ _ _ _ _ _ ] Chimney Glass [ ____ ] (in feint pencil)

Signed and dated

1773
datable to 1773

Medium and dimensions

Pencil on laid paper (322 x 509)

Hand

Robert Adam

Watermark

LVG surmounted by fleur de lis within crowned cartouche

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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