[139] Design for a ceiling for an unknown room, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - John Street
        Number 3, John Street
        Design for a ceiling for an unknown room, 1772, as executed (1)

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Reference number

SM Adam volume 13/42

Purpose

[139] Design for a ceiling for an unknown room, as executed

Aspect

Plan of a rectangular ceiling, with a central square compartment, containing an arrangement of guilloche, and with an oval compartment in each corner, and the whole is set within a square frame ornamented with oval compartments, and flanked by festoons and rosettes enclosed within wreaths

Scale

bar scale of ¾ inch to 1 foot

Inscribed

Cieling at No. 3. in John Street Adelphi / Cornice and various feint pencil inscriptions indicating colour

Signed and dated

01/12/1772
Decr. 1 / 1772

Medium and dimensions

Pen and pencil on laid paper (427 x 325)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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