[137] Design for the ceiling for the front parlour, 1775, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - Robert Street
        Number 3, corner of Robert Street and Royal Terrace
        Design for the ceiling for the front parlour, 1775, as executed (1)

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Reference number

SM Adam volume 13/49

Purpose

[137] Design for the ceiling for the front parlour, 1775, as executed

Aspect

Plan of a rectangular ceiling with an apse on one long side, and another apse on one short side, and the central flat is ornamented with a central oval medallion, enclosed within an oval frame ornamented with enclosed anthemia, and the whole is encircled by rosettes enclosed within figure-of-eight laurel leaves

Scale

bar scale of ½ inch to 1 foot

Inscribed

Front Parlor Cieling West corner House of the Terrace Adelphi.

Signed and dated

12/10/1775
Oct. 12t 1775.

Medium and dimensions

Pen and pencil on laid paper (437 x 397)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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