[108] Preliminary design for the ceiling for the drawing room, c1769; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - Adam Street
        Number 8, Adam Street
        Preliminary design and finished drawing for the ceiling for the drawing room, 1769; it is not known if this design was executed (2)

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Reference number

SM Adam volume 5/42

Purpose

[108] Preliminary design for the ceiling for the drawing room, c1769; it is not known if this design was executed

Aspect

Plan of a rectangular ceiling, with a central rosette, enclosed within circular frames of Vitruvian scroll, and reed and ribbon attended by a serpentine wreath, and flanked by roundels which are also enclosed by frames of reed and ribbon, and the whole is set within an elliptical frame of guilloche, and with triangular compartments in each corner which have been crossed out, and with a compartmental rectangular border

Scale

to a scale

Inscribed

Cornice / Cornice / Cornice / Cornice / K / H / K / This the same Mouldings as the frame round the 9th. Cieling and some measurements given

Signed and dated

1769
datable to 1769

Medium and dimensions

Pen and pencil on laid paper (270 x 356)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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