[94] Design for the chimneypiece for the dining room, c1769-70; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - Adam Street
        Number 3, Adam Street
        Design for the chimneypiece for the dining room, c1769-70; it is not known if this design was executed (1)

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Reference number

SM Adam volume 24/6

Purpose

[94] Design for the chimneypiece for the dining room, c1769-70; it is not known if this design was executed

Aspect

Elevation of a chimneypiece, with pilaster stiles, ornamented with drops of calyx in the shafts, and with rosettes in the capitals, and with a lining ornamented with waterleaf, a frieze of festoons, and peltoid shields, and with a tablet containing an anthemion flanked by rinceaux

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

East Wing D.Y. / Chimney Piece for the Dining Room one Pair of Stairs 3rd. House / Statuary / Wood / Statuary / Statuary Slab about 2ft/ 4in wide and some measurements given

Signed and dated

1769-70
datable to 1769-70

Medium and dimensions

Pen, pencil and red pen on laid paper (295 x 371)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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