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A close variant of the design was executed, with jugs rather than rosettes in the capitals. It survived to be photographed by the LCC in 1936, although the photograph is mislabelled as being for the front drawing room rather than the back parlour.
This design is similar, with the same frieze and capitals, as that designed by Adam in 1769 for the back parlour at 10 Hertford Street (Adam volume 22/266). The Hertford Street design is inscribed in pencil with the words, [Bac]k Parlor River / [cropped]t House River, corresponding with the intended location of this design.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).