[62] Design for the ceiling for the front drawing room, 1770, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - The Royal Terrace
        Number 9, Royal Terrace
        Design for the ceiling for the front drawing room, 1770, as executed (1)

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Reference number

SM Adam volume 13/37

Purpose

[62] Design for the ceiling for the front drawing room, 1770, as executed

Aspect

Plan of a tripartite, rectangular ceiling, divided by bands of enclosed anthemia, alternating with calyx, and with a central square compartment with a central medallion, enclosed within circular frames and festoons, encircled by four peltoid shields, and set within a cross-shaped frame, with a drop in each corner, composed of an anthemion, a tubular flower, arabesques, an urn, and a pedestal, all set within an x-shaped arrangement, and with a patera on each side enclosed within a segmental frame ornamented with crockets, and the central square is flanked by rectangular compartments containing connected enclosed rosette, with calyx in-between

Scale

to a scale

Inscribed

Cieling of the front Drawing room at No. 10 Royal Terrace Adelphi and some measurements given in pencil

Signed and dated

1770
1770

Medium and dimensions

Pen and pencil on laid paper (596 x 435)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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