[9] Variant design for plan of first floor

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Town houses
  - London: 21 St James's Square: unexecuted design by Soane, June 1794; as built design by R.F.Brettingham, July 1795, earlier design by Brettingham and Soane's designs for fittings1795, 1797 for the 5th Duke of Leeds, 1794-7
    - Soane's designs for a new house, June 1794 [1] - [12]

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Reference number

SM volume 66/54

Purpose

[9] Variant design for plan of first floor

Aspect

Plan of the Principal Floor

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, 2, rooms labelled: Salient, Drawing Room, Drawing room, Room for Making Tea, Second / Staircase, Water Closet, Lobby (three times), The Landing / of / Principal / Staircase, Corridor, Water Closet, Lobby, Dressing Room, Chamber, The Music Room, The Organ and dimensions given .

Medium and dimensions

Black pen and washs with quadruple ruled and wash border on wove paper (700 x 490) on page 54 of volume 66

Hand

attributed to Frederick Meyer (1774 - ?), pupil April 1791-1796

Notes

This drawing differs from the earlier drawing [4] in the substitution of plain square lobbies for domed ones on either side of the best stair. This has been given a more elaborate treatment in which niches have been introduced to the four walls and there are four instead of a pair of columns to the apse. The entrance to the bed chamber has a double-domed lobby. Externally the balcony has given away to a 'salient' that runs the width of the building.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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