[3] Finished drawing for a funerary monument, 1775, executed with alterations

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Robert and James Adam office drawings
- Monuments and mausolea
  - Milton Abbey church, Dorset: Monument to Lady Caroline Milton, commissioned by Joseph Damer, Baron Milton, 1775, executed (4)
    - Preliminary design, design, finished drawing and record drawing for a funerary monument, 1775, executed with alterations (4)

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Reference number

SM Adam volume 19/63

Purpose

[3] Finished drawing for a funerary monument, 1775, executed with alterations

Aspect

Elevation of a table tomb ornamented with three urn-filled pointed arches, ornamented with trefoils, and alternating with sculpture-filled pointed arches, flanked by shields, enclosed within fans, and encircled by frames ornamented with trefoils and crockets, and above are connected enclosed rosettes, and scrolls at the head, supported by arabesques

Scale

bar scale of 3 inches to one foot

Inscribed

Lady Milton (in pencil in a modern curatorial hand)

Signed and dated

1775
Robt Adam Architect. / Adelphi - 1775.

Medium and dimensions

Pen, pencil and wash on laid paper (593 x 415)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 56
Webb, 1958, p. 33
King, 2001, Volume I, p. 367
Roscoe, 2008, p. 203
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Death and Memory: Soane and the Architecture of Legacy, Sir John Soane's Museum, London, 23 October 2015 - 2 April 2016

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).