[27] Design for the chimneypiece for the front drawing room, c1769-70, executed with minor alterations at number 4 Royal Terrace

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - The Royal Terrace
        Number 3, Royal Terrace
        Design for the chimneypiece for the front drawing room, c1769-70, executed with minor alterations at number 4 Royal Terrace (1)

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Reference number

SM Adam volume 24/33

Purpose

[27] Design for the chimneypiece for the front drawing room, c1769-70, executed with minor alterations at number 4 Royal Terrace

Aspect

Elevation of a chimneypiece, with Ionic pilaster stiles, ornamented with anthemia enclosed within figure-of-eight ribbons in the shafts, and with a lining of laurel leaf tips, enclosed masks in the capitals, a frieze of anthemia flanked by arabesques, and a tablet containing an urn on a turned pedestal, flanked by winged griffons with arabesque tails

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

River Front / Body of Building D:Y: / Chimney Piece for the front Drawing Room all Statuary / 4th House and some measurements given

Signed and dated

c1769-70
datable to c1769-70

Medium and dimensions

Pen and pencil on laid paper (331 x 274)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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