[15] Design for a chimneypiece for the front parlour, c1769-70, executed with alterations

Explore Collections

You are here: CollectionsOnline / [15] Design for a chimneypiece for the front parlour, c1769-70, executed with alterations

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - The Royal Terrace
        Number 1, Royal Terrace
        Design for the chimneypiece for the front parlour, c1769-70, executed with alterations (1)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 24/23

Purpose

[15] Design for a chimneypiece for the front parlour, c1769-70, executed with alterations

Aspect

Elevation of a chimneypiece, with console stiles, ornamented with acanthus leaves, and drops composed of rosettes enclosed within figure-of-eight wreaths, and calyx, and with a lining ornamented with egg and dart, and a frieze ornamented with oval enclosed rosettes, attended by crossed swords, and flanked by swags, and with a tablet containing an urn filled with foliage, supported by a double calyx, and flanked by festoons

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

D:Y: River Front. / Chimney Piece for the Front Parlor 2. House / Wood / Statuary / Statuary / Wood and some measurements given

Signed and dated

c1769-70
datable to c1769-70

Medium and dimensions

Pen, pencil and red pen on laid paper (322 x 257)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).