[6] Design for a chimneypiece for the front drawing room, c1769-70, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - The Adelphi, London: designs for a speculative complex built by William Adam & Co., 1768-84 (168)
      - The Royal Terrace
        Number 1a Royal Terrace (formerly number 20 Adam Street)
        Design for the chimneypiece for the front drawing room, c1769-70, unexecuted (1)

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Reference number

SM Adam volume 24/21

Purpose

[6] Design for a chimneypiece for the front drawing room, c1769-70, unexecuted

Aspect

Elevation of a chimneypiece with moulded stiles, ornamented with drops of calyx hung from masks, and with jugs in the capitals, and a lining of waterflowers, and a frieze of festoons and enclosed rosettes

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Chimney Piece for the Drawing room in the end House Body of the Building / All Marble / No. 1. East Corner / on the Terrace. Adelphi / Marble / Marble / Marble / Marble / Marble / Statuary Slab about / 2ft.6 wide and some measurements given

Signed and dated

c1769-70
datable to c1769-70

Medium and dimensions

Pen and pencil on laid paper (246 x 289)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 33
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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