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The drawing has a terminus antequem of c.1719-22 thanks to the addition in pencil of a row of square piers to the east (left) of the Court of Requests. This is the 'passage gallery', the construction of which was under consideration in the period 1719-22. Construction of the gallery was begun in 1722. The pencil additions could, of course, postdate the drawing itself. However, the handwriting style, scale bar and watermark (IHS VILLEDARY) are characteristic of the early eighteenth century.
I am grateful to Gordon Higgott for various helpful comments about this drawing.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).