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  • image SM Adam volume 33/37

Reference number

SM Adam volume 33/37

Purpose

[28] Preliminary design for gates and lodges, 1785, unexecuted

Aspect

Elevation of two alternative castle-style gateways. The top gate has a central carriage arch flanked by two-storey, single-bay circular towers, with arched pedestrian gates in the ground storey, surmounted by cross-shaped slit windows, and this is flanked by single-storey, three-bay links, with slit windows, and one-and-a-half-storey, single-bay circular towers, with arched windows on the ground storey, surmounted by oculus windows, and the gate is flanked by a perimeter wall. The bottom gate is three bays wide, articulated by broad Doric column piers, with a central carriage arch, with pepper-pot turrets in each top corner, flanked by doors, with a pepper-pot turret in the top outside corner, and the gate is flanked by a perimeter wall with five slit windows on each side

Scale

to a rough scale

Inscribed

Design of a Castle Gate for the Earl of Lonsdale / Design of a Gate for The Earl of Lonsdale at Whitehaven

Signed and dated

  • 1785
    Octr 23. 1785

Medium and dimensions

Pen, wash and sepia wash on laid paper (197 x 161)

Hand

Robert Adam

Literature

Astley, 2000, p. 34
King, 2001, Volume II, p. 246
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Robert Adam's Castles, Sir John Soane's Museum, London, 16 June - 16 September 2000

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).