[2] Design for the first scheme for the building, 1766, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Appleby, Cumbria: unexecuted designs for the town hall, county court and gaol, commissioned by Sir James Lowther, 5th Baronet, 1766-67 (7)
    - Designs for the first scheme for the building, 1766, unexecuted (2)

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Reference number

SM Adam volume 36/25

Purpose

[2] Design for the first scheme for the building, 1766, unexecuted

Aspect

Elevation of a two-and-a-half-storey building, with a hipped roof, with eleven bays in the rusticated ground storey, with the second, fourth to eighth, and tenth bays containing a relieving arch, and with seven bays on the first storey, with the bays articulated by engaged columns or pilasters, with Venetian windows within relieving arches, and with half height and oculus windows above the first-storey windows in the second to sixth bays

Scale

bar scale of 2 inches to 10 feet

Inscribed

3d Design for a Town hall & Council Court for Appleby in Westmorland (in the hand of William Adam and underwritten in pencil) and some measurements given (verso) County Court Town Hall and Gaol for Appleby for Lord Lonsdale

Signed and dated

datable to 1766

Medium and dimensions

Pen and pencil on laid paper (612 x 517)

Hand

Adam office hand, possibly William Hamilton, with title inscription in the hand of William Adam

Watermark

LVG surmounted by fleur de lis within crowned cartouche and JVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 31
Harris, 1971, p. 4
King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).