[7] Survey elevations of south and west fronts

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Hinton St George, Somerset: survey drawings and unexecuted designs for alterations and additions, and for a lodge, for 4th Earl Poulett, 1796-7 (17)
    - Survey drawings, 1796 (8)

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Reference number

SM 6/3/12

Purpose

[7] Survey elevations of south and west fronts

Aspect

Elevation of the South Front and Elevation of the West Front

Scale

bar scale of 1/15 inch to 1 foot

Inscribed

as above, Earl Poulett, Hinton S^t George and some vertical dimensions given

Signed and dated

Lincolns Inn Fields Sept^r 9 1796

Medium and dimensions

Pen and sepa washes, shaded on coarse wove paper with two fold marks (572 x 700)

Hand

Thomas Jeans (c.1775 -1866), pupil August 1792-25 August 1797.
The Soane office Day Book for 1796 shows that Thomas Jeans left London on the morning of 5 August 1796 to take plans of Hinton St George. He returned on the evening of 27 August. He then spent much of the time between 29 August and 12 September drawing out plans, elevations and sections. The expenses of his trip came to £4:17:9d for which Earl Poulett was billed on 19 September 1796.

Notes

The principal (South) front is of two storeys and nine bays with pedimented windows spaced unevenly (3-1-5) and with a quatrefoil parapet. The offices on either side are (left) basement and two storeys and (right) two-storey stables, both wings are crenellated.The West front has pedimented windows and a pedimented door to the projecting octagon in the centre and is linked to the office wing by a two-bay set-back that gives on to the unevenly spaced nine-bay offices.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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