Surveys of the rooms under the Painted Chamber, 30 March 1827

Explore Collections

You are here: CollectionsOnline / Surveys of the rooms under the Painted Chamber, 30 March 1827

Browse

Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Palace of Westminster: designs for alterations and additions, 1793-1828 (499)
    - Additional drawings, surveys etc. (44)
      - Surveys of Guy Fawkes' Chamber, March 1827 (3)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM volume 50/5-6

Purpose

Surveys of the rooms under the Painted Chamber, 30 March 1827

Aspect

Elevation at B in the Plan, detail of Chimney in Great Room, Section shewing Side D and Section shewing Side C

Inscribed

as above, labelled: Fire / Stone (3 times), Wood (3 times) and (pencil) some dimensions given

Signed and dated

30 March 1827
30^th March 1827 (twice)

Medium and dimensions

Pen, sepia, pink, light red and yellow washes on wove paper (in sketchbook) (each page 280 x 214)

Hand

Charles James Richardson (1806 - 1871)
Pupil February 1824 - January 1827.

Notes

The "Elevation at B" shows a bricked-up chimneypiece with a detail of the upper left corner to the right. 'B' refers to the plan on the previous page of the sketchbook (SM volume 50/4). The "Great Room" is the largest of the spaces under the Painted Chamber and measures 51'4'' by 11'6''. Sides 'C' and 'D', shown in section, are the shorter walls in the easternmost room under the Painted Chamber (see SM volume 50/1).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).