[6] Design for elevation in a Classical style, 'B No.1'

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Dunninald House, Craig, Angus: unexecuted designs for David Scott, 1795 (43)
    - Alternative designs in a Classical style

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Reference number

SM volume 59/16

Purpose

[6] Design for elevation in a Classical style, 'B No.1'

Aspect

Front elevation in a setting

Scale

bar scale of 1/12 inch to 1 foot

Inscribed

David Scott Esq^r and B / No. 1

Signed and dated

7/1795
John Soane Archt July 1795 and B / N^o.1

Medium and dimensions

Pen, black, sepia, raw sienna, blue and green washes, shaded with triple ruled black and sepia wash border (283 x 465) tipped into volume 59, page 16

Hand

Soane Office

Watermark

fleur-de-lis over shield with bar above, ornate W

Notes

Nine-bay building with two- bay wings set back by about ten feet and with an in antis portico of four Ionic columns. The raised basement with banded rustication and the floor above with its tall windows gives an Italianate villa-like impression. There is a five-bay second floor that would offer good views of the countryside.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).