[3] Finished drawing showing an elevation of the garden (south) front, c1768-70, as executed

Explore Collections

You are here: CollectionsOnline / [3] Finished drawing showing an elevation of the garden (south) front, c1768-70, as executed

Browse

Robert and James Adam office drawings
- Country houses
  - Mellerstain, Earlston, Scottish Borders: designs for the house, interiors, and an unexecuted memorial tower for the Hon. George Baillie, c1768-78 (19)
    - Finished drawings for the addition of a central block, and alterations to William Adam’s wings, largely as executed, c1768-70 (3)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 43/43

Purpose

[3] Finished drawing showing an elevation of the garden (south) front, c1768-70, as executed

Aspect

Elevation of the garden (south) front of a three-storey, seventeen-bay crenellated house, with the central three and end two bays slightly projecting, and surmounted by an additional storey and pitched roofs, and with a central entrance on the principal storey

Scale

bar scale of 1 inch to 10 feet

Inscribed

South Front of Mellerstain House. / for the Honble George Baillie of Jerviswood (in the hand of William Adam junior) and some measurements given (verso) 2

Signed and dated

c1768-70
datable to c1768-70

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (602 x 381)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonom, with addition to title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 22
For a full list of literature reference see scheme notes.

Level

Drawing

Exhibition history

Robert Adam's Castles, Sir John Soane's Museum, London, 16 June - 16 September 2000

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).