Scale
bar scale of 3/4 inch to 10 feet
Inscribed
Plan of the Principal Story of Fleurs Castle for his Grace The Duke of Roxburgh (for his Grace The Duke of Roxburgh in the hand of William Adam and underwritten in pencil) / Coach House / Stables for hack Horses / Stable / Stable / Passage / Stable / Stable / Passage / Stable for Saddle Horses / Coach House / Court / Court / Gardeners Room / Green House / Water Closet / Lobby / Water Closet / Passage / Bed Chamber / Anti Room / Closet / Drawing Room / Hall / Passage / Water Closet / Lobby / Water Closet / Passage / Skittle Room / Passage / Scullery / Kitchen / Scullery / Bake House / Brew House / Gyle House / Court / Slaughter House / Staircase and some measurements given in pen and pencil (verso) 4 / 4 / 4 (in pencil) / [cropped]leurs Castle / [cropped] Design / Duke of Roxburgh (in pencil)
Signed and dated
- 1772
Adelphi / 24th October 1772
Medium and dimensions
Pen and pencil on laid paper (1024 x 604)
Hand
Adam office hand, possibly William Hamilton or Joseph Bonom, with addition to title inscription in the hand of William Adam
Watermark
D&CBLAUW IV and XD&CB within a cartouche
Literature
Bolton, 1922, Volume II, Index p. 13
For a full list of literature references see scheme notes.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
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