[6] Preliminary design showing the elevation of the clerks’ office towards Lincoln’s Inn Fields, 1772-74, unexecuted

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Robert and James Adam office drawings
- Commercial buildings
  - Lincoln’s Inn, London: unexecuted competition designs for new buildings (later known as Stone Buildings), commissioned by the Honourable Society of Lincoln’s Inn, 1771-74 (9)
    - Preliminary design and finished drawing showing the elevation of the clerks’ office towards Lincoln’s Inn Fields, 1772-74, unexecuted (2)

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Reference number

SM Adam volume 21/65

Purpose

[6] Preliminary design showing the elevation of the clerks’ office towards Lincoln’s Inn Fields, 1772-74, unexecuted

Aspect

Rough elevation of the clerks' office, showing a two-storey, fifteen-bay block, with a pitched roof, and a rusticated ground storey, and with the central three bays projecting, with relieving arches over the windows on the ground storey, surmounted by a Doric portico and pediment with acroterion sculptures, and the central first-storey window is set within a relieving arch, and these central three bays are flanked by three bays with the first-storey windows surmounted by oculus windows, and set within relieving arches, and the end three bays are projecting, articulated by Doric columns/pilasters in the first storey, with a central apse containing a window, and these three projecting bays are surmounted by an attic crowned by sculpture, and the whole has a fluted frieze

Scale

not to scale

Signed and dated

1772-74
date range: 1772-74

Medium and dimensions

Pen and pencil on laid paper (309 x 190)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 41
King, 2001, Volume II, p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).