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  • image SM Adam volume 21/41

Reference number

SM Adam volume 21/41

Purpose

[4] Preliminary design showing the elevation (east) towards Lincoln’s Inn Fields, 1771-74, unexecuted

Aspect

Elevation (east) towards Lincoln’s Inn Fields, showing a three-and-a-half-storey building, with a rusticated and largely arcaded ground storey, and divided into various blocks. The central block has a five-bay portico across the first and second storeys, supporting a pediment, behind which is a dome, and this is flanked by two bays, and then three-bay projections, with an additional half storey containing oculus windows, and surmounted by alternative lanterns to each side, and with an alternative arrangement of fenestration to each side, with a Venetian window within a relieving arch on the first storey on the right-hand side. The central block is flanked by curved links, with relieving arches over the windows on the left-hand side, and then three-bay projections, with porticos and pediments, and a dome on the left-hand side, and beyond are further links and three-bay projection, showing alternative fenestration to either side

Scale

bar scale of 1/2 inch to 10 feet

Inscribed

some measurements give

Signed and dated

  • 1771-74
    date range: 1771-74

Medium and dimensions

Pencil and pen on laid paper (1020 x 253)

Hand

Robert Adam

Watermark

D&CBLAUW IV

Literature

King, 2001, Volume II, p. 57
Rowan, 2003, pp. 9, 31
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

'Bob the Roman': Heroic Antiquity and the Architecture of Robert Adam, Sir John Soane's Museum, London, 27 June - 27 September 2003; New York School of Interior Design Gallery, 29 September - 4 December 2004

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).