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  • image SM Adam volume 1/3
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Reference number

SM Adam volume 1/3

Purpose

[12] Design showing a longitudinal section through the concert hall, c1765-68, unexecuted

Aspect

Longitudinal section through the concert hall, showing a wall containing an apse, flanked by winged figures in the spandrels, and with a compartmental semi-dome, divided by bands of fret, and ornamented with octagonal square and circular tablets, and compartments of arabesques, and with the pencil outline of a central arched recess flanked by niches

Scale

to a scale

Inscribed

Sketch of a Project for Edinbr (in an unknown eighteenth-century(?) hand)

Signed and dated

  • 1765-68
    date range: c1765-68 (see scheme notes)

Medium and dimensions

Pen and pencil on laid paper (305 x 327)

Hand

James Adam (attributed by Prof A A Tait)

Literature

King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).