[18] Design for an epergne, 1772; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Curzon Street, number 30, Westminster: designs for interior decoration, furniture and plate for the Hon. Henry Frederick Thynne, 1771-73 (18)
      - Alternative preliminary design and designs for plate, 1773; it is not known if these designs were executed (4)

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Reference number

SM Adam volume 25/109

Purpose

[18] Design for an epergne, 1772; it is not known if this design was executed

Aspect

Plan and elevation of an epergne, supported by a single central turned leg, ornamented with beading, guilloche, and gadrooning, and the top bowl is ornamented with fluting, gadrooning, rosettes and fans, and has four oval concave projecting lips, and a central circular concave bowl, and the elevation is surmounted by a rough pencil-drawn canopy

Scale

bar scale of 5 inches to 1 foot

Inscribed

Mr Thynne (in pencil) / Desert Dish for The Right Hon.ble H: F: Thynne

Signed and dated

1773
1773.

Medium and dimensions

Pen, pencil and wash on laid paper (294 x 508)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

LVG surmounted by fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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