Design for the overdoor above the entrance into the Painted Chamber, 20 December 1823

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Palace of Westminster: designs for alterations and additions, 1793-1828 (499)
    - London: House of Lords, Palace of Westminster: alterations and additions, 1817-28 (220)
      - Royal Gallery and Committee Rooms, 1823-24 (66)
        Further designs for the Royal Gallery, December 1823

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Reference number

SM 51/2/28

Purpose

Design for the overdoor above the entrance into the Painted Chamber, 20 December 1823

Aspect

Elevation of the overdoor above the Entrance into / the Painted Chamber; (verso) rough, unfinished design for part of an overdoor

Scale

bar scale of 8/9 inch to 1 foot

Inscribed

as above, labelled: Marble Architrave, 4½, 1½ (3 times), A, House of Lords Royal Gallery

Signed and dated

20 December 1823
20^th Dec^r 1823

Medium and dimensions

Pen (verso: pencil), pricked for transfer on wove paper (431 x 344)

Hand

Soane Office

Notes

The overdoor takes a very Soanean form and is particularly highly ornamented with Greek fret volutes, panel pilasters decorated with anthemia and beading, three segemental pediments, honeysuckle and a large central roundel, possibly left open (Sawyer typescript catalogue), all carved in marble.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).