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  • image Image 1 for SM 51/2/38
  • image Image 2 for SM 51/2/38
  • image Image 1 for SM 51/2/38
  • image Image 2 for SM 51/2/38

Reference number

SM 51/2/38

Purpose

Design for the south front of the Royal Gallery and Committee Rooms, 14 August 1823

Aspect

Elevation of the Design for the exterior of the South End of the / Royal Gallery, Committee Rooms &c; (verso) rough elevation of the south front of the Royal Gallery and Committee Rooms

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

as above, labelled: House of Lords and some dimensions given

Signed and dated

  • 14 August 1823
    14th August / 1823

Medium and dimensions

Pen, sepia and pink washes, shaded, (verso: pencil), pricked for transfer on thin wove paper (306 x 570)

Hand

Arthur Patrick Mee (1802 - 1868)
Pupil January 1818 - November 1823.

Notes

This design for the south elevation corresponds with the plan SM 51/2/12. Lines of pink wash show the floor and ceiling levels of the interior; the floor of the committee rooms was several feet higher than the floor of the Royal Gallery to make space for a full-height ground floor. The central feature of the elevation resembles a triumphal arch with an inscription in the centre of the attic. On the verso is a rough alternative design with another version of the triumphal arch feature, columns at the corners of the elevation and urns or statues above the entablature, and a Doric composition.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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