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In contrast to SM 71/2/75 and SM 71/2/76, which both show a series of connected rooms at the Royal Entrance to the House of Lords, this drawing instead shows one detail. This is the cupola over the centre of the Royal Gallery. Similarly to the previous two drawings, however, the cupola is shown surrounded by clouds in a fantastical composition that serves to raise the status of the Royal Entrance as part of Soane's ceremonial processional route and to allude to the overarching theme of the 'apotheosis' of the King (S. Sawyer, 'Sir John Soane's symbolic Westminster: the apotheosis of George IV', Architectural History, 39, 1996, pp. 54-76).
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).