Inscribed
(120) The House of Lords / View of the Great Hall and The House of Lords / View of the King's Entrance
(121) (pencil,added later) Conference Room / House of Lords
(122) (pencil, added later) Court of Requests / House of Lords
(123) (pencil, added later on page) Scalia Regia / House of Lords
Medium and dimensions
(120) Pen and sepia wash, shaded, on two sheets of thin wove paper folded at top and bottom and overlapping (229 X 406), p. 13 of volume 62 (121) pen and sepia wash, shaded on thin laid paper (435 x 270), p. 34 verso of volume 62 (122) pen and sepia wash, shaded on thin laid paper (404 x 260), p. 35 of volume 62 (123) pen and sepia wash, shaded on thin wove paper (416 x 270), p. 36 of volume 62
Hand
(120-123) Henry Provis (1760-1830, clerk July 1791-February 1802)
Watermark
(120) IV (121, 122) Allee 1799 (123) Allee 1799, post horn wihin crowned cartouche and below, GR
Notes
Record drawing 120 copies two interior perspectives that (it is assumed) were made in the period from June 1794 to February 1795 when Soane and his office were producing a great many designs for the House of Lords committee. Six interior perspectives (drawings 102 to 107) have survived, none of them of the quality of those made a few years later by J. M. Gandy. The same views seen in drawing 120 were later copied by another pupil (see drawings 130, 131). Record drawings 121, 122 and 123 reproduce drawings made by J. M. Gandy, c.1800, for which see Domed designs 47, 53 and 57.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).