[49] Design for a chandelier for the Etruscan dressing room, 1775; it is not known if this design was executed

Explore Collections

You are here: CollectionsOnline / [49] Design for a chandelier for the Etruscan dressing room, 1775; it is not known if this design was executed

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Design for the Etruscan dressing room chandelier, November 1775; it is not known if this design was executed (1)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 25/43

Purpose

[49] Design for a chandelier for the Etruscan dressing room, 1775; it is not known if this design was executed

Aspect

Half-drawn elevation of a chandelier, hung from a tassel, and with a central shaft composed of gadrooned tubular flowers, a gadrooned urn with guilloche, and an acorn, and with foliate and gadrooned candle branches, drops of lozenges, obelisk-shaped finials, and winged griffons (verso) pencil-drawn preliminary design for a carpet or ceiling

Scale

to a scale, possibly full sized

Inscribed

Lustred for Lady Derby’s Dressing room

Signed and dated

14/11/1775
Adelphi / Novr. 14t. 1775

Medium and dimensions

Pen, pencil, wash and coloured washed including pink, cerulean blue, and Indian yellow on laid paper (408 x 707)

Hand

Adam office hand, possibly Robert Adam

Watermark

JWHATMAN / fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 38
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).