[40] Preliminary design for a door panel for the Etruscan dressing room, 1774, executed with minor alterations

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Preliminary designs and design for the Etruscan dressing room door panels, 1774, executed with alterations (3)

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Reference number

SM Adam volume 5/17

Purpose

[40] Preliminary design for a door panel for the Etruscan dressing room, 1774, executed with minor alterations

Aspect

Elevation of a rectangular door panel, ornamented with winged horses, supporting an urn, surmounted by a tablet containing a chariot pulled by winged horses, surmounted by a medallion enclosed within a vine, supporting calyx and a tablet containing a mask flanked by festoons, surmounted by an urn containing poppies(?), with an apron of festoons supporting drops of rosettes, bows, calyx, tubular flowers, and lanterns

Scale

to a rough scale

Inscribed

Lower doorcase Pannell / (and in pen) Green ornament upon light / yellow Ground

Signed and dated

1774
datable to 1774

Medium and dimensions

Pen and pencil on laid paper (310 x 562)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).