Working drawing for 'Gallery B'

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Palace of Westminster: designs for alterations and additions, 1793-1828 (499)
    - London: House of Lords, Palace of Westminster: alterations and additions, 1817-28 (220)
      - Alterations to the House of Lords to increase accommodation for the trial of Queen Caroline, 1820 (16)
        Working drawings for the galleries, July 1820

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Reference number

SM 77/2/35

Purpose

Working drawing for 'Gallery B'

Aspect

Elevation of Gallery B, Elevation of Framing against Wall Gallery B, Elevation of End of Gallery B / next the Bar and Section thro centre of Gallery B

Scale

to a scale

Inscribed

as above, labelled: 1½ Flush Framing (5 times), Platform, Line of Floor, Top of Platform, Floor, Platform and some dimensions given

Signed and dated

28 July 1820
July 28^th 1820

Medium and dimensions

Pen, sepia, raw Sienna and pink washes, shaded, pricked for transfer on wove paper (530 x 735)

Hand

George Bailey (1792 - 1860)
Pupil and assistant August 1806 - January 1837.

Watermark

Smith & Allnutt 1817

Notes

'Gallery B' is that on the right-hand side of previous drawings (the west side of the House), although presumably 'Gallery A' was little different. The timber framing is panelled and incorporates further iron supports for the gallery. The gallery itself has x-framed railings. In previous drawings these are described and shown as being hung with crimson cloths (SM 51/3/55 and 51/3/60), but in Hayter's painting in the National Portrait Gallery they are exposed and gilded.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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