[3] Preliminary design showing the ground storey of the house, c1761

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Robert and James Adam office drawings
- Town houses
  - London
    - Hyde Park Corner (site of 145-146 Piccadilly), London: unexecuted designs for a house for the 2nd Earl of Shelburne, c1761 (9)
      - Preliminary designs and designs for the house, c1761, unexecuted (9)

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Reference number

SM Adam volume 1/168

Purpose

[3] Preliminary design showing the ground storey of the house, c1761

Aspect

Rough plan of the ground storey of a square house, with a three-bay central portico on the principal front, and containing a central circular staircaise, encircled by reception rooms and two bedrooms, and on the principal front of the house is an elliptical court, with two carriage entrances

Scale

not to scale

Inscribed

Space of stairs / Dining room / Court / space of stairs / length / Drawing room / Antiroom / Antiroom / Receiving Drawing room / Bed room / Body of House / Office / Lobby / servts room / Bathing room / Water closets / powdering room / writing room and measurements and rough calculations given in pen and pencil

Signed and dated

1761
datable to c1761

Medium and dimensions

Pen and pencil on laid paper (193 x 151)

Hand

Robert Adam

Literature

King, 2001, Volume II, p. 130
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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