[2] Preliminary design showing the ground storey of the house, c1761

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Robert and James Adam office drawings
- Town houses
  - London
    - Hyde Park Corner (site of 145-146 Piccadilly), London: unexecuted designs for a house for the 2nd Earl of Shelburne, c1761 (9)
      - Preliminary designs and designs for the house, c1761, unexecuted (9)

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Reference number

SM Adam volume 54/7/105

Purpose

[2] Preliminary design showing the ground storey of the house, c1761

Aspect

Rough plan of the ground storey of a nine-bay rectangular central block, with a central three-bay portico on the principal front, a central three-bay bow on the garden front, flanked by tripartite windows, a central projection on one side, behind which is an Imperial staircase, and a single-bay projection on the other side, with a three-bay library wing with screened apsidal ends connected at the rear, and containing a central circular room with four apses, encircled by reception rooms, and a bedroom, and the whole is set within a wedge-shaped boundary wall

Scale

rough bar scale of 1/2 inch to 10 feet

Inscribed

plan 98 by 90 / Hall (in pencil) / Parlor (in pencil) / Small Dg room (in pencil) / Salon (in pencil) / Dressg (in pencil) / Library (in pencil) / Bed Ch (in pencil) / Door to Stables / [ _ _ _ _ _ _ _ _ ] / Anti room(?) and measurements given in pen and pencil

Signed and dated

1761
datable to c1761

Medium and dimensions

Pen and pencil on laid paper (184 x 224)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 45
King, 2001, Volume II, p. 130
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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