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  • image SM 4/4/14

Reference number

SM 4/4/14


[7] Copy of a design for the front elevation, July 8 1801


Elevation of the Entrance Front


bar scale of 1/3 inch to 1 foot


as above, Mr Robins, labelled: Basement Floor, Present level of Ground, Ground at Entrance, Top of Floor and some dimensions given

Signed and dated

  • 8 July 1801
    Copy Lincolns Inn Fields / July 8 1801

Medium and dimensions

Pen and sepia wash, pricked for transfer on wove paper (556 x 673)


Thomas Sword
Pupil January 1799 - 1804.


WL 1794


Drawings [7]-[9] match the plan drawings [4]-[6].

The entrance front is characterised by a much-simplified triumphal arch that is superimposed onto the façade. The only two openings in the elevation are the entrance, which has a pedimented, Doric portico at the top of three steps, and the segmental-headed window above. Both of these features are set within a large, recessed arch. The projecting walls, which incorporate the chimney stacks, are very simply decorated with two arched and two circular recesses, and are linked by a balustrade above the chamber floor. On top of the hipped roof is a broad lantern. Today, the entrance front is recognisable but has been much altered.

For the significance of the triumphal arch motif and the inspiration for its use at Norwood Hall, see P. Guillery, 'Norwood Hall and Micklefield Hall. Works by Sir John Soane', Architectural History, 30, 1987, pp. 181-200.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).