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  • image SM 4/4/10

Reference number

SM 4/4/10

Purpose

[2] Design for a new entrance front and rooms, 11 November 1800

Aspect

Plan of the ground floor

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

G. W. Thelusson (sic) Esq, labelled: Porch, Drawing Room, Vestibule, Library, Books (3 times), Bookcase (twice), Bookcase for / folios / &c, Servants Hall, Clost (twice), House Keeper, Butler, Passage, Passage to the Offices, Mr Thelussons / Dressing / room, Lobby, Water / Closet, Lobby, Eating Room, Breakfast Room, Best Staircase

Signed and dated

  • 11 November 1800
    Nov 11 1800

Medium and dimensions

Pen, sepia, light red and pink washes, pricked for transfer on wove paper (337 x 555)

Hand

Henry Hake Seward or Thomas Sword, with labels by Soane

Notes

In this design the Drawing Room, Entrance Hall (labelled as 'Vesitbule') and Library are enlarged and rebuilt - the Drawing Room with a curved wall and a repositioned chimneypiece, and the Library with bookcases on three walls - and a Porch is added to the entrance front. The Hall has a vaulted ceiling. In the servants' offices, the passage leading to further offices is widened.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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