[21] Design for a ceiling for the staircase, 1772, thought to have been executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Soho Square, number 20, London: designs for the house and interior for the Hon. Baron Grant, 1771-72 (27)
      - Preliminary design and design for a ceiling for the staircase, 1772, thought to have been executed (2)

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Reference number

SM Adam volume 12/107

Purpose

[21] Design for a ceiling for the staircase, 1772, thought to have been executed

Aspect

Plan as Adam volume 5/47, but the central patera is enclosed within an oval frame of laurel leaf tips, Vitruvian scroll, and calyx, and with cameos rather than lion masks, and the segmental rosettes and fans in the corners are enclosed within frames of guilloche and calyx, and the flanking rectangular compartments contain urns rather than calyx flanked by arabesques, and have a frame of guilloche

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the Staircase for Mr. Baron Grant.

Signed and dated

1772
1772.

Medium and dimensions

Pen and pencil on laid paper (439 x 310)

Hand

Adam office hand, possibly William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 50
Survey of London, 1966, p. 71
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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