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  • image SM vol. 67/3

Reference number

SM vol. 67/3

Purpose

[61] Design for stables, nd

Aspect

Plan, elevation and sections

Scale

bar scale of 1/16 inch to 1 foot

Inscribed

(pencil) Sam Thornton Esqr, labelled: Horizontal / Section A, B, Line, Section of Privy, Ground Line, Drain for water, Drain, Privy, Drain 12in Diam, A, Line of Section, B, 84ft by 65ft Dung Hole, A, A, Close Fence 5 feet Pales 3 Rails, Section of Bason, Ground Line, No one Inch yellow Deal Ledged Door free from Tap plough'd tounged & Beaded No 3 / ledges 9 Inches wide Door frame of Oak 5½ Inches by 4½ Rebated & Beaded No 2 Frames / do for Melon Ground & No 2 6 pannel 2 Inch Doors fd Bead flush & Sqaure the / top edge of rails plough'd with a small Groove & Edge of do 7.0 high by 3.6 / Champherd No 2 Oak 5 Bar Gates Splits 3½ wide 10 feet long / A Post & raild Fence 3.6 high framed with No 2 rails Size of Top rail 4'' x 4'' cutt Area / out of 4 Inch square Oak scantlings The Bottom rail 4'' by 3 Inches Posts 4½ by 3¼ / framed rough The sharp edge taken off the rails Housd into the / Post and dimensions given

Medium and dimensions

Pen, pink and yellow washes on laid paper, bound into volume (577 x 693)

Hand

Soane Office

Notes

This undated design is for a single long range of stables with an arcade of wide arches on one side and a pitched roof. The roof is supported by a queen post truss.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).