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  • image SM 77/1/41

Reference number

SM 77/1/41

Purpose

[33] Design for partitions on the chamber floor, datable to February 1802

Aspect

Plan of the One Pair Floor with alterations, Section on the Line 1 & 2 and Section on the Line 3 & 4 shewing the New Partitions marked AA on the Plan

Scale

bar scale of 2/9 inch to 1 foot

Inscribed

as above, Samuel Thornton Esqr, labelled: (All the parts Colord (sic) Yellow are new), No 1, No 2, Reference, Scantling, No 2 BB &c Principal Timbers ....7 x 5 / NB the heads of the Post must be large / enough to make the Buttments of the Braces / square / C The Sill must 7x5 as the Bridgg Joists of the Floor / tenant into it ....7 x 5 / (The Top of the Sill to be even with the Joists of that part / of the Girder must be cut away to give the Sill 2in bearing / on each side / D Head ....5 x 5 / EE & Cross Pieces to nail the small guardg to mortisd only 1 In / at one end & chacd to the other to get them in ....5 x 2½ / FF Pieces laying from beam to beam to take the bolts of the / Partition ....12 x 9 / II Are Lintels over the Passage One side to be set out first / & the Lintel to be put in & well pinnd up before the other / is disturbed / OO & Braces ....5 x 5 / NB Lead to be put into all the Butments of the / principal Timbers / No 1 AA New Partitions / F lays from beam to beam to take the bolts of the / Partitions ....12 x 9 / G must then be an Iron Strap to clasp the principal / Rafters & strengthen the Beams / K Trussd Girder with Oak truss & King Post / LL Old Girders tenanted into New and some dimensions given

Signed and dated

  • datable to February 1802

Medium and dimensions

Pen, sepia, yellow and light red washes, pricked for transfer on laid paper (470 x 674)

Hand

Soane Office

Watermark

J Whatman 1794 and fleur-de-lis within crowned cartouche and below, JW

Notes

These partitions differ from those in the previous drawing [32] and include the curved walls in one of the bedrooms. Iron ties are used to strengthen the timbers of the new partitions.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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