[11] Alternative design for new offices and alterations to the principal (ground) floor, datable to January 1802

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Albury Park, Guildford, Surrey: alterations and additions for Samuel Thornton, 1800-10 (61)
    - Designs (plans) for new offices and alterations to the house, December 1801-January 1802 (15)

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Reference number

SM 4/5/38

Purpose

[11] Alternative design for new offices and alterations to the principal (ground) floor, datable to January 1802

Aspect

Plan of the Principal Floor of Albury Park with Alterations and Additions

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

as above, Samuel Thornton Esq^r, labelled: Library, M^r Thorntons / Dress^g / room, Water / Closet, Butler, Bed, Lobby, Servants Hall, Powd / Closet, Store / room, Housekeeper, Lobby (twice), Door, Larder, Scullery, Stair / case, Kitchen, Dresser, Washouse, Arcade, Coals / & / Wood, Laundry, Arcade, Bakehouse, Coals / & / Wood, Brewhouse

Signed and dated

datable to January 1802

Medium and dimensions

Pen, pencil, sepia, light red and blue washes, pricked for transfer within triple ruled sepia wash border on wove paper with one fold mark (557 x 907)

Hand

Soane Office

Notes

This design is very close to the design in drawing [10] but the position of the Kitchen is different and the small store closet in the house has been incorporated into the Butler's room. Various other ideas are drawn in feint pencil, including a link between the two wings of the offices.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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