[26] Copy of a design for two fronts of the outbuildings, 27 January 1802

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Albury Park, Guildford, Surrey: alterations and additions for Samuel Thornton, 1800-10 (61)
    - Designs (elevations and sections) for new offices and alterations to the house, January 1802 (8)

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Reference number

SM 64/5/52

Purpose

[26] Copy of a design for two fronts of the outbuildings, 27 January 1802

Aspect

Elevation of the Front N^o 3 and Elevation of the Front N^o 4

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, Samuel Thornton Esq^r, See Ground Plan (twice), labelled: Court (twice)

Signed and dated

27 January 1802
Copy / Lincolns Inn Fields / Jany 27 1802

Medium and dimensions

Pen, sepia and light red washes, pricked for transfer on laid paper (580 x 340)

Hand

Soane Office

Notes

The elevation to 'Front No 4' incorporates the three passages that link the new offices to the house. The design for 'Front No 3' in this drawing matches drawing [25], although a hipped roof has been added in pencil.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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