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  • image SM vol. 67/14

Reference number

SM vol. 67/14

Purpose

[25] Design for the new offices, 27 January 1802

Aspect

Elevation of Front No 3 [the south front] - See Ground Plan

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, labelled: Samuel Thornton Esqr, floor (twice) and some dimensions given

Signed and dated

  • 27 January 1802
    L.I.Fds Jany 27 1801 (sic); (alterations to roof) April 4 1802; April 3d 1803 / Clock

Medium and dimensions

Pen, brown pen and sepia wash on laid paper (333 x 579)

Hand

Soane Office

Notes

The reference to 'Front No 3' relates to drawing [20]. This drawing has been altered by Soane, perhaps on more than one occasion. In pen, a hipped roof has been added and scored lines have been added to the tower. In pencil, a small dome with a vane has been added to the tower. The outbuildings' large windows conceal the fact that this is a two-storey structure. To the right is one of the passages connecting the new offices to the house.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).