[20] Design for the ground floor of the new offices, 27 January 1802

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Albury Park, Guildford, Surrey: alterations and additions for Samuel Thornton, 1800-10 (61)
    - Designs (plans) for new offices and alterations to the house, December 1801-January 1802 (15)

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Reference number

SM 4/5/35

Purpose

[20] Design for the ground floor of the new offices, 27 January 1802

Aspect

Plan of the Ground Floor of the / proposed Offices with elevation of the larder

Inscribed

as above, Samuel Thornton Esq^r, Albury Park, labelled: A, B, C, D, N^o 1, (pencil) Door, Dairy, Scalding Room, Servants / cleaning / Shoes &^c, Servants Hall, court, N4, court, Kitchen, N3, Scullery, Larder, Copper (twice), Oven (twice), Bakehouse, N^o 2, Area, Coals, Wood and dimensions given

Signed and dated

27 January 1802
Jan^y 27 1801 (sic)

Medium and dimensions

Pen, sepia and light red washes, pricked for transfer on laid paper (535 x 640)

Hand

Soane Office

Notes

Drawing [20] is dated 'Jany 27 1801', but the design matches other drawings made in January 1802, so it is assumed that this is a mistake. In this design Soane reverts to D-shaped extensions, one of which is shown in elevation. Inside the west range is a new slightly-curved staircase leading from the house to the offices.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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