[7] Working drawing for cross section and (verso) detail of roof truss

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Pitmurthly, Perthshire: working drawings for a farmhouse and out buildings for Colonel Thomas Graham, later 1st Lord Lynedoch, 1798 (10)

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Reference number

SM 64/6/11

Purpose

[7] Working drawing for cross section and (verso) detail of roof truss

Aspect

Section on the line A B and (verso) Section and Elevationof roof truss

Scale

bar scale of 1/3 inch to 1 foot

Inscribed

as above, N^O.9, Colonel Graham, Oak, 4 by 4 sleeper, 9" Brick wall under oak Sleeper, Brick, Rafter, Plate (twice) Tye Beam, Ceiling Joist, Board 1½ by 6" Spiked at back of Rafters to tye roof together, Brick (twice, of chimneys) and dimensions given (Verso) as above, Drawing at Large of the Roof of House, Plate (4 times), Top of Window, Slates (twice), Boarding for Slates

Signed and dated

07/04/1798
Lincolns Inn Fields April 7^th 1798 (both recto and verso)

Medium and dimensions

Pen, yellow, light red and sepia washes, pricked for transfer on wove paper with three fold marks (556 x 668) (verso) pen, yellow, sepia, blue and burnt umber washes

Hand

Henry Hake Seward (1778-1848), May 1794 - September 1808 (from Soane office Day Book)

Notes

Cross section A B is through the ground floor bed chamber and the parlour.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
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