[36] Working drawing for second floor front room (copy of drawing [35])

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Town houses
  - London: 12 Stratton Streeet, new house for Colonel Thomas Graham, later 1st Lord Lynedoch, 1797-8 (39)
    - Working drawings for fitting out of rooms, May-August 1798

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Reference number

SM 39/3/37

Purpose

[36] Working drawing for second floor front room (copy of drawing [35])

Aspect

Plan and laid out wall elevations

Scale

scale of 3/8 inch to 1 foot

Inscribed

Colonel Graham, N^o.2, Two pair front room, (pencil) 9" Between Girders. (pencil) Deal cased Frames with Oak sunk Cills & inch & half Deal / ovolo Sashes double hung complete with brass oullies / boxed in Iron, strong white lines & Iron weights / see Mr Seymours agreement Page 4 marked A @ 1/6 / per foot

Signed and dated

02/06/1798
Copy Lincolns Inn Fields June 2^d 1798

Medium and dimensions

Pen, sepia and light red washes, some added pencil, shaded, pricked for transfer on wove paper with three folds (550 x 660)

Hand

The office Day Book for 2 June 1798 has ' Seward about Drawings of Window Frames &c' that is Henry Hake Seward (1778 - 1848), pupil and assistant May 1794 - September 1808

Notes

An ovolo moulding is a convex moulding usually quarter of a circe in profile. See also Notes to drawing [35].

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
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