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Offices, c. July 1801 (7)

Signed and dated

  • Main Year: 0

Notes

The offices at Pitzhanger were designed as a separate wing, rather than in the basement of the Soane’s villa, as at Acton (although some earlier unexecuted designs do experiment with that idea). Access to the service/office wing was via a colonnade covered by a roof, the columns of which were supposedly part of the ruins. This was to make service to and from the kitchen to the Breakfast Room or Eating Room easier.

The service wing had the additional benefit of symmetrically balancing out the Dance wing retained by Soane, though it was concealed by shrubs in some drawings, and eventually (as drawing 154 shows) a porticoed entrance was added to disguise the function of the wing from any visitors viewing it through the windows of the main house.

The main service block extended into a sprawling collection of outbuildings and stables – many retained or altered from pre-existing buildings. The designs for stables are shown with tall arches and blind arcading – perhaps a precursor of designs for Chelsea Hospital stables.

The office block was first altered and then altogether removed when the library was built in 1901, along with the various outbuildings, excepting the lodge which can still be seen today.

Virginia Brilliant's TS Pitzhanger catalogue has been instumental to the creation of this catalogue.

Matilda Burn 2010

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Sub-scheme

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).  


Contents of Offices, c. July 1801 (7)