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  • image SM 45/2/25

Reference number

SM 45/2/25


Copy of measured drawing by ? Luigi Trezza or another unidentified Veronese source, ? 5-7 May 1780


Half-plan and half-cross section of La Madonna di Campagna in Circa due Miglia lontano di Verona


bar scale - ? Veronese piedi


as above and dimensions given

Medium and dimensions

Pen and wash, pencil, pricked for transfer on laid paper (645 x 466)




VF with 3 six-pointed stars above and Imperial with 3 crescents below


Close in the method of presentation and drawn to half the same scale as another drawing ( see Verona: Church of San Bernardino, Pellegrini mortuary chapel), and on the same watermarked paper and also pricked for transfer, the drawings seem to be related and may be copies from the same source.

Designed by Sanmicheli in 1559 (the year of his death), the pilgrimage church of the Madonna di Campagna (Maria di Campagna) is located three miles south-east from the centre of Verona. It has a circular plan enclosing an octagon, and is circled by a low Tuscan colonnade supporting a lean-to roof. The cylindrical body of the church supports a drum and dome, and is approached through a portal and antechamber.

See general note regarding Sanmicheli and Luigi Trezza under Italy: Verona: Gran Guardia Vecchia


P.du Prey, John Soane's architectural education 1753-80, 1977, p.306



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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