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  • image Adam vol.9/15

Reference number

Adam vol.9/15

Purpose

Academic study for sketch plan of a symmetrical building with a three-bay projecting portico with steps, leading to a rectangular room with column screens at either end. Beyond this are three rooms culminating in an elevation with coupled columns and three large apses with niches.

Aspect

Plan

Inscribed

Inscribed in ink on drawing 15

Signed and dated

  • Undated, probably 1755 - 56.

Medium and dimensions

Pencil on grey paper281 x 255

Hand

Robert Adam

Notes

This drawing may be the source for Adam vol.9/14, although it is a scheme for a smaller building; it may in turn be derived from one of the plans found in Adam vol.9/16. The use of grey paper is unusual in this section of Adam volume 9. It is unlikely that this drawing was intended to be inked over, as was the case with other drawings such as Adam vol.9/13.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).