[2] Sketch design, 1781

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Public buildings
  - London: Battersea: unexecuted competition designs for a prison for 300 women and a prison for 600 men (with drawings by George Dance), 1781-1782 (13)

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Reference number

SM volume 42/122 verso

Purpose

[2] Sketch design, 1781

Aspect

Rough plan and bird's eye view of a six-sided (half a decagon) enclosure with courtyards and towers, elevation of front with three towers

Inscribed

8)140 [over] .17 (140 divided by 8 equals 17)

Signed and dated

datable to 1781

Medium and dimensions

Pencil, brown pen on laid paper with one fold mark (247 x 392)

Hand

George Dance (1741-1825)

Watermark

Fleur-de-lis

Notes

This rapidly made sketch design encapsulates the finished designs that followed. Thus SM volume 42/39 recto is the basis of the plan for a women's prison (see SM 13/1/11) while the verso of this drawing has the essence of the plan and elevation of the men's prison (see SM 13/1/16 and SM 13/1/20). The authorship of these drawings is important and has been attributed to George Dance.

For recto of this drawing see (Soane's architectural education ...): Preliminary, early, intermediate and late designs, record drawings and R.A. exhibition drawings for a mausoleum for the Earl of Chatham died 11 May 1778: drawing 2 by Soane

Literature

P.du Prey, John Soane: the making of an architect, 1982, chapter 10, 'The Competition for the first Howardian penitentiaries'

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).