Inscribed
Small Beads / Cast upon the fillets / of the Stumps, Cast Ornaments, Burnished and Brass Nails. (verso, addressed to) Mr Robert Kennett / Cabinet Maker, No 67 / New Bond St
Medium and dimensions
Brown pen on laid secretary paper with two fold marks, sealing wax on verso, old tear (255 x 155)
Hand
unidentified
Notes
The drawing was folded, sealed, stamped (black ink, triangular stamp with PENY POST PAYD), addressed and sent to Robert Kennett, 37 New Bond Street, London. Kent's Directory, 1794, has Kennett & Co, Upholsterers &c at 67 New Bond Street, London.The economical drawing shows an elbow chair with upholstered seat and back, the frame decorated with 'cast ornaments' including 'small beads' upon the 'burnished fillet of the stumps' or frame, and a pair of ram's heads; the delicate baluster legs have leaf enrichment. The refined design is for what Chippendale (and others before him) called a 'French chair' though it does not correspond, for example, with his published designs (plates XIX-XIII, The Gentleman and Cabinet Maker's Director, 3rd ed., 1762. The previous furniture drawings (42/10-13) have been associated with Denton Park, Yorkshire designed by John Carr of York (1723-1807) but the writing and drawing hand is not his though it's quality suggests that it may be that of an unidentified architect.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).