Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Designs for two chimney-pieces and frames

Browse

  • image SM volume 42/7

Reference number

SM volume 42/7

Purpose

Designs for two chimney-pieces and frames

Aspect

Upper elevation has a bay-leaf festoon with crossed ribbon hung between roundels decorating the frieze and alternatively a panel pilaster, and a leaf drop decorating the jambs; the incompletely drawn overmantel frame has panelled pilasters. Lower elevation has a leaf and ribbon festoon to the frieze above a moulded architrave; the sketchy overmantel frame has coin mouldings

Scale

to a scale

Medium and dimensions

Brown pen, pencil, on laid paper with three fold marks (395 x 194)

Hand

unidentified

Verso

Slight drawings including a chimneypiece (drawing pasted at corners)

Watermark

J Whatman

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).